вЂњItвЂ™s only four tracks,вЂќ he said, вЂњbut the intensity of the rhythms IвЂ™m playing and how settled, and how swinging, and how hard it grooves is what makes it.вЂќIn that same 1996 feature, which came out shortly after ScofieldвЂ™s Groove Elation album, which is beloved by fans in part for MuhammadвЂ™s funky playing, Ken Micallef asked Idris what went through his mind while on stage with Sco. Muhammad also released many albums as a leader, beginning with 1970вЂ™s Black Rhythm Revolution! In MD in 1996 he called 1974вЂ™s Power of Soul his greatest record. ВЎDescubre en Shazam los mejores v&237 deos y listas de reproducci&243 n de tus artistas favoritosIn a May 1996 MD feature, Muhammad described the foundation of his style: вЂњMy rhythms are a mixture of the second-line street beats and the way the Indians who danced during Mardi Gras played the tambourine.вЂќ IdrisвЂ™s solid time and funky feel lifted the work of countless artists in the worlds of soul, R&B, funk, pop, and jazz, including Sam Cooke, Curtis Mayfield, Gene Ammons, Lou Donaldson, Grant Green, Charles Earland, Pharoah Sanders, Betty Carter, Roberta Flack, and John Scofield. Everybody knew right away that it was me, because of my style of playing.вЂќEncuentra la letra de las canciones m&225 s populares de Idris Muhammad. вЂњBut I thought, well, if I stay the same person, then people will know itвЂ™s me.

I go inside when I play.вЂќWatch for more coverage in the print edition of Modern Drummer. I donвЂ™t want to look at anybody I donвЂ™t want to see anything. ItвЂ™s because IвЂ™m playing with my eyes closed. Guys ask me why I wear dark glasses on the bandstand.

Idris Muhammad Jazz